Collectible graphic
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Theatrical artwork
Theatre genres range from tragedy and comedy to farce, opera, and musical theatre. Each genre has its own conventions, such as stock characters in comedies or the heightened emotions of tragical works. Styles can be as diverse as drama, satire, and historical epics, often characterized by their unique usage of dialogue, visual elements, and thematic content.
Contemporary theatre reflects a vibrant evolution that intertwines technology, cultural discourse, and innovative formats. It continues to adapt, pushing the boundaries of traditional theatrical production and subject matter to resonate with modern audiences.
Classic theatre productions include Sophocles’ Oedipus Rex, William Shakespeare’s Hamlet, and Molière’s Tartuffe. These works have set benchmarks for storytelling and are studied for their intricate plots, character development, and influence on the genre.
Theatre genres range from tragedy and comedy to farce, opera, and musical theatre. Each genre has its own conventions, such as stock characters in comedies or the heightened emotions of tragical works. Styles can be as diverse as drama, satire, and historical epics, often characterized by their unique usage of dialogue, visual elements, and thematic content.
Contemporary theatre reflects a vibrant evolution that intertwines technology, cultural discourse, and innovative formats. It continues to adapt, pushing the boundaries of traditional theatrical production and subject matter to resonate with modern audiences.
Empire of the Sun artwork
It may seem odd that these great works of art and literature took so long to emerge from the aftermath of the events they concern. But many of the most complex and considered accounts of conflict have taken their time. To Vonnegut’s painfully slow response to the war, for example, we might add Joseph Heller’s brilliantly satirical Catch-22, published in 1961, and, even more significantly, JG Ballard’s memorial masterpiece Empire of the Sun, which did not see the light of day until 1984.
“The idea of photographing absence became really important,” says Baker. “War is about destruction, removing things, disappearance. A really interesting photographic language about disappearance in conflict emerged and it is extremely powerful. How does one record something that is gone?””
Different conflicts also reappear from multiple points in time throughout the exhibition, whether as rarely-seen historical images or recent photographic installations. The Second World War for example is addressed in Jerzy Lewczyński’s 1960 photographs of the Wolf’s Lair / Adolf Hitler’s War Headquarters, Shomei Tomatsu’s images of objects found in Nagasaki, Kikuji Kawada’s epic project The Map made in Hiroshima in the 1960s, Michael Schmidt’s Berlin streetscapes from 1980, and Nick Waplington’s 1993 close-ups of cell walls from a Prisoner of War camp in Wales.
